Jarre's early works were largely unsuccessful and gave little indication of his work to follow. As he struggled to find his own voice, he wrote for a variety of singers, including Françoise Hardy, and also composed for films. Seeking to push electronic music away from its minimalist foundations as well as the formal abstractions of its most experimental practitioners, he slowly developed the orchestrated melodicism of his 1977 breakthrough effort, Oxygène, an enormous commercial hit that reached the number two spot on the U.K. pop chart. The follow-up, 1978's Equinoxe, was also a smash, and a year later Jarre held the first in a series of massive open-air concerts at the Place de la Concorde in Paris, the estimated one million spectators on hand earning him a place in The Guinness Book of World Records.
Only in the wake of 1981's Les Chants Magnétiques (Magnetic Fields) did Jarre mount a proper tour, traveling to China with a staggering amount of stage equipment in tow; the five performances, performed by some 35 traditional instrumentalists, later generated the LP Concerts in China. Released in 1983, Music for Supermarkets instantly became one of the most collectible albums in history -- recorded for an art exhibit, only one copy was ever pressed, selling at a charity auction for close to $10,000. The master was then incinerated, guaranteeing the record's rarity. Jarre's next proper release was 1984's Zoolook, which failed to connect with audiences with the same success as its predecessors.
A two-year hiatus followed before he resurfaced on April 5, 1986, with an extravagant live performance in Houston celebrating NASA's silver anniversary; in addition to the over one million in attendance, it was also broadcast on global television. Rendez-Vous appeared a few weeks later, and after another highly visual live date in Lyon, France, Jarre assembled the best material from the two events as the 1987 concert LP Cities in Concert: Houston/Lyon. Revolutions, featuring legendary Shadows guitarist Hank B. Marvin, followed in 1988, and a year later a third concert LP, dubbed simply Jarre Live, hit stores. After 1990's En Attendant Cousteau (Waiting for Cousteau), Jarre mounted his biggest live experience yet, with an attendance of over two-and-a-half million fans converging on Paris to see him perform in honor of Bastille Day.
The decade to follow proved surprisingly quiet, however, and apart from the occasional live appearance, Jarre largely removed himself from the limelight; finally, in 1997 he issued Oxygène 7-13, updating his concepts for a new musical era. At the turn of the millennium, he recorded Metamorphoses and then took a break from the studio as a flurry of reissues and remixes followed, including Sessions 2000, Les Granges Brulees, and Odyssey Through O2. In 2007, after a seven-year hiatus from recording, Jarre released a new dance single, "Teo and Tea," a surprisingly strong return to electro, and followed it with a trancey, angular album also titled Teo and Tea. The collection Essentials Rarities appeared in 2011, a year that also saw him perform a three-hour, internationally broadcast concert in Monaco honoring the marriage of Prince Albert and Charlene Wittstock. He released the albums Electronica, Vol. 1: The Time Machine and Electronica, Vol. 2: The Heart of Noise in 2015 and 2016, respectively, both of which featured numerous well-known guest musicians including John Carpenter, Vince Clarke, Cyndi Lauper, Pete Townshend, Armin van Buuren, and Hans Zimmer. Also in 2016, Jarre revisited his signature work yet again, with the release of Oxygène 3. All three Oxygène albums were also issued as Oxygène Trilogy. 2018 saw the release of Planet Jarre, a compilation album commemorating 50 years of material which also featured two new tracks -- "Herbalizer" and "Coachella Opening" -- the latter of which was featured during Jarre's set list at California's Coachella Festival a few months earlier. In November of that year, he released his 20th studio album, Equinoxe Infinity, which acted as a sequel to his 1978 album Equinoxe. In 2019, Jarre released Eon, an endlessly generative audio-visual app akin to Brian Eno's Reflection, and a limited-edition companion album, Snapshots from Eon. Jarre saw in 2021 with a groundbreaking, hi-tech, livestreamed virtual concert from a virtual Notre Dame Cathedral, which was issued in album form as Welcome to the Other Side. That year he also released a new studio album. Amazônia, the soundtrack to a photographic exhibition documenting the Amazon rainforest by Sebastião Salgado, that combined orchestral and electronic sounds, field recordings, and ethnomusicological sources. ~ Jason Ankeny, Rovi
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