Parker started playing extensively with other European free music groups in the '70s, notably the Globe Unity Orchestra, as well as its founder Alexander von Schlippenbach's trio and quartet. Parker, Bailey, and Oxley co-formed Incus Records in 1970 and continued operating it throughout the '80s. Parker also played with Chris McGregor's Brotherhood of Breath and other groups with Bailey, and did duet sessions with John Stevens and Paul Lytton, as well as giving several solo concerts. Several of Parker's early albums were also solo saxophone recordings like 1978's Monoceros. He also joined trumpeter Kenny Wheeler for 1979's Around 6, and recorded regularly for the PSI label, delivering albums like 1980's Six of One, 1983's Hook, Drift and Shuffle, and 1986's The Snake Decides.
Increasingly prolific, Parker released a bevy of albums over the next several decades, including 1991's Process and Reality, 1995's Breaths and Heartbeats, 1997's Bush Fire, 1999's Drawn Inward, and 2000's Monkey Puzzle. Also during the '90s, he joined pianist Paul Bley and bassist Barre Phillips for a session which resulted in the highly regarded 2001 ECM release Sankt Gold. Eleventh Hour, officially credited to the Evan Parker Electro-Acoustic Ensemble, also appeared on ECM in 2005. Parker next released Time Lapse, his debut on John Zorn’s Tzadik in 2006, along with Crossing the River on his own PSI imprint. 2007 was equally prolific, with three albums on three different labels including A Glancing Blow on Cleanfeed; the label also issued Belle Ville in 2008. Parker self-released Free Zone Appleby 2007 on PSI to round the year out. He made his debut on the Smalltown Superjazz imprint with Brewery Tap in 2009, as well as A Moment’s Energy with his Electro-Acoustic Ensemble on ECM, and his Tzadik follow-up, House Full of Floors, a trio recording with John Edwards on bass, John Russell on acoustic guitar, and help from Aleks Kolkowski on a couple of tracks utilizing a wax cylinder recorder and playing the saw.
Among the numerous albums that featured Parker's name as a leader or co-leader in 2010, Two Chapters and an Epilogue, with pianist John Tilbury, was especially noteworthy, as were Twine, with saxophonist Urs Leimgruber, and Scenes in the House of Music with Barry Guy, Lytton, and Peter Evans. In 2011, he appeared as part of a quartet with Mark Nauseef, Ikue Mori, and Bill Laswell on Near Nadir for Tzadik. Meetings with Remarkable Saxophonists, Vol. 1, with John Edwards and Eddie Prévost, was released on Matchless in the spring of 2012, followed by two Psi recordings: Hasselt with the Electro-Acoustic Ensemble and a reissue of The Topography of the Lungs from 2006. In 2013, the concert recording Live at Maya Recordings Festival with the Guy/Lytton Trio was issued on Lithuania's NoBusiness label, followed by What/If/They Both Could Fly, a duet album with Joe McPhee on Rune Grammophon.
He then joined Otomo Yoshihide, Sachiko M, John Edwards, Tony Marsh, and John Butcher for 2014's Quintet/Sextet/Duos, followed by 2015's Ninth Square with Joe Morris and Nate Wooley. Ever productive, Parker released a steady stream of albums over the next few years including 2015's The Hurrah, 2016's Miller's Tale, and 2017's Sounding Tears, with pianist Lucian Ban and violist Mat Maneri. In 2018, he joined bassist Dave Holland for Uncharted Territories. Also that year, he reunited with longtime collaborators Barry Guy and Paul Lytton for Music for David Mossman: Live at Vortex London. The following year, Parker joined turntablist Matthew Wright for Trance Map + Crepuscule in Nickelsdorf. ~ Ron Wynn & Thom Jurek, Rovi
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