The latter is Berton's most famous piece of work, fully representing a style in which the writer's personality is more engaged in the material than in a strictly scholarly work of musical history. While having one's older brother play in the biographical subject's band is certainly an asset, some readers still complain that the Berton book has too much information about the author's personal life and not enough about Beiderbecke himself; although some passages are commonly used as a reference in research on drug use among musicians during the period. Another of Berton's more creative efforts as a jazz writer was a short story entitled -The Bridge, first published in a 1961 issue of Metronome. This was the first reference in writing to the habits of mysterious saxophonist Sonny Rollins, at that point at a hiatus from gigging but in the habit of practicing long hours on a Williamsburg Bridge pedestrian walkway. Berton changed the location to the Brooklyn Bridge and created a fictional saxophonist loosely based on Rollins, also known as "Newk." The writer is also responsible for a variety of liner notes and was a host on the '40s WNYC radio broadcast America in Swingtime. ~ Eugene Chadbourne, Rovi