Not only was Steubenville, OH, Dean Martin's stomping grounds, the city situated on the Ohio River also spawned the Stereos, a quintet consisting of Bruce Robinson (lead), Nathaniel Hicks (first tenor), Ronnie Collins (bass), Sam Profit (second tenor), and George Otis (baritone). The group's roots began in the mid-'50s when Robinson and Collins formed the Buckeyes (Ohio's nickname) who released two singles on Cincinnati's Deluxe Records in 1957: Since I Fell for You b/w Be Only You and Dottie Baby b/w Begging You, Please.

The Stereos first recorded in 1959 with Leroy Swearingen (first tenor and ex-Buckeye) joining Robinson, Collins, Profit, and Otis for their Gibraltar debut, A Love for Only You b/w Sweetpea's in Love. Its failure caused Swearingen to leave and be replaced by Hicks. The revised lineup had three singles on Cub Records from 1961-1962, with ex-member Swearingen penning their most successful record I Really Love You (15 RB/29 pop); two follow-ups floundered. Two 1962 Robins Nest's singles: My Heart and Don't Cry Darling also didn't do diddly. A World Artists' single Mumbling Word surfaced in 1963, trailed by Life as the Sterios (sic) on Ideal Records (1964) and Don't Let It Happen to You in 1965 for Val 2 Records. Good records, but the Stereos were a transition group with ingrained doo-wop roots and never fully forsake the sound for full-blown '60s harmonies, but Robinson's gospel-inspired leads made them interesting.

They resurfaced on Hyde Records in 1967 as a self-contained outfit adding Stanley Brown, Solomon Huffman, Don Walters, and Ronnie Parris. Profit and Otis left. The revamped Stereos made enough noise with Stereo Freeze Parts 1 2 that Cadet Records plucked it for mass distribution; but I Can't Stop These Tears b/w I Feel Soul A'Coming pulled up lame in 1968; a third Cadet single, Your Memory, never got started, forcing permanent disbandment and the end of the Stereo's chase for that elusive royalty check. ~ Andrew Hamilton, Rovi