None of these records made any kind of commercial impact, however, and by the early '60s Edwards was living in the Pittsburgh suburb of Canonsburg and working in a steel mill; he ultimately saved up enough money to found his own label, Rene (named for his wife, Irene), cutting his own sides as well as lending his unique guitar to back other artists. Edwards' headlining sides from his mid-'60s Rene period include Shake Baby Shake and I Don't Want No Company, each honing a distinctive sound marrying Edwards' gritty vocals and incendiary guitar with backing performances as raw and energetic as anything coming out of garages in Anytown U.S.A. In late 1965 he issued the rocking Bullfight, a huge local hit picked up for national release on Roulette and a Pittsburgh oldies radio favorite to this day. Bullfight No. 2, issued in 1966, added a funky Hammond organ to the reworked original. Issued on the Rene subsidiary Punch, 1967's Downtown Soulsville remains Edwards' masterpiece -- boasting a truly wild vocal and some brilliantly funky guitar, the record was not a national hit but immediately captured the imagination of die-hard soul and funk aficionados, with a reissue on U.K. tastemaker Dave Godin's Soul City label and an appearance on the 1969 compilation Soul from the City.
Also in 1967, Edwards recorded Sweet Sweet Love for major label Kapp -- the circumstances of the recording are not known, but the single was not a hit and he seemed to drop from sight for several years, relocating his family to the San Francisco area around 1972. The family unit soon began performing and recording as a group dubbed the Edwards Generation, releasing the single School Is In on Ghetto and the full-length The Street Thang on Tight. The Edwards Generation even appeared on television's #The Mike Douglas Show. He continued performing during the decades to follow, resurfacing in 1994 with Back Again, a collection of new material and re-recorded classics. ~ Jason Ankeny, Rovi