As a child, Anacleto de Medeiros studied music with conductor Antônio dos Santos Bocot, and was apprentice of typography at the National Press, founding, with other working-class boys, the Guttenberg Musical Club. While he progressed in the profession of typographer, he also learned the piccolo and the saxophone in a band in Paquetá. In 1884, he matriculated from the Music Conservatory, which would become the National School of Music (Escola Nacional de Música). He was then pupil of clarinetist Antônio Luís de Moura, and classmate of Francisco Braga. He was certified as clarinet teacher in 1886. With other musicians of the Banda de Paquetá, he founded the Recreio Musical Paquetaense, writing several religious chants, masses, and a Te Deum, sung throughout several churches. In 1886, he composed the dobrado Jubileu, for the International Exposition of Rio de Janeiro and was invited to direct the band of the Firemen Corporation (Banda do Corpo de Bombeiros). He was already perfectly playing all instruments of the band by then, with his favorite being the soprano sax. Prominent Brazilian composer Carlos Gomes was very fond of Anacleto's compositions and his band's intonation. With the Banda do Corpo de Bombeiros, he recorded several cylinders and records for the first recording label of Brazil, Casa Edison. In this label's first catalog, from 1902, are mentioned 55 records recorded by them, including Anacleto's compositions such as the valse Despedida; the polcas Tatá, Qui-Pro-Quo, Cabeça de Porco, and Urso; the xotes Benzinho, Não Me Olhe Assim; the quadrilha Fluminense; and the tango Boêmios. Anacleto was also conductor of the Banda de Tecidos Bangu and Banda de Magé. ~ Alvaro Neder, Rovi