Wiese was already involved with extreme music when he graduated from the California Institute of the Arts in 2001. At that time, he was a member of the noise/grindcore band Sissy Spacek, but was also exploring tape manipulation, harsh noise, and experimental editing techniques as a solo artist. Wiese used his own Helicopter label as a platform for his frequent releases, but also issued material with a multitude of other various independent labels. Throughout the 2000s, 2010s, and beyond, Wiese recorded, toured, and released new work prolifically, his discography growing to include dozens and eventually hundreds of titles. This included collaborative work with Thurston Moore, Sunn O))), Smegma, Bastard Noise, and many, many others, but just as often Wiese's albums were solo efforts. Along with near-constant lesser output, standout solo albums emerged such as the angsty distortion of 2007's Soft Punk, the digitally demolished field recordings of 2009 album Circle Snare, 2017's Escaped Language, and his ongoing, multi-volume Magnetic Stencil series. His solo work, activity with Sissy Spacek, and other collaborative work all continued concurrently into the 2020s. In 2022, Wiese teamed up with longtime friend Dean Spunt of No Age to release The Echoing Shell with Drag City. ~ Fred Thomas, Rovi