Among them were some of the most talented musical artists of Hungary. Zoltan Rozsnyai had the idea of forming an orchestra in exile from the refugees in the camps. He gathered 75 musicians. They put together a concert program and performed as the Philharmonia Hungarica in the Vienna Konzerthaus on May 28, 1957. They had spirit and passion, but they performed like an ad hoc, one-shot group. The members and Rozsnyai determined that they would build the group into a genuine professional ensemble. They were motivated by their own sense of professional pride, but also were in hopes of making permanent jobs for the orchestral players, who were refugees and homeless.
International Refugee Aid Organizations and other sponsors, including leading musicians of many nationalities, supported this effort. Among them was the perpetual humanitarian Yehudi Menuhin and internationally known conductor Antal Dorati, who had had left his homeland before World War II and now had a reputation as one of the greatest living orchestra-building conductors. He agreed to work with the orchestra as their artistic mentor. He built them up, led some of the first recordings (including music of Béla Bartók and Zoltán Kodály) and took them on their first international tour. Such support enabled the orchestra to negotiate a guaranteed loan for operating expenses. Then the small city of Marl, on the Ruhr in West Germany, invited the Philharmonia Hungarica to become its resident orchestra. The musicians were delighted to find a permanent home. They continued to be an active recording orchestra with Rozsnyai, Dorati, and others, and participated in one of the most honored projects in phonograph history, the first integral set of all Joseph Haydn symphonies, conducted by Dorati. This set won virtually all international recording prizes.
Since then the Hungarica has released over 130 discs and performed in 250 cities all over the world. It has accompanied great stars like Luciano Pavarotti, José Carreras, Vladimir Ashkenazy, Heinrich Schiff, and Menuhin.
Following the death in 1989 of artistic mentor Dorati, the orchestra appointed Menuhin as its honorary president and new artistic mentor. Menuhin conceived the successful plan to redirect the identity of the orchestra, establishing it as the cultural ambassador of the newly united Free Europe., Rovi