While performing in Rochester, NY, Hickey stumbled upon Phil Everly and asked for his advice on launching a career. Told "Well, you got to have a song," he wrote Bluebirds Over the Mountain literally overnight and traveled to Buffalo the following morning, where he hired photographer Gene LaVerne to shoot a publicity still. The resulting photograph is arguably the zenith of Hickey's career. Rock scribe Peter Guralnick once wrote: "Take a look at the improbably sculpted helmet of hair, the tommy-gun guitar stance, the pleated pants, cocked leg, patent leather casual footwear and turned-up collar...guitar pick poised, background airbrushed out, every fold of clothing carefully arranged...what volumes it speaks of aspiration and style, fate and fantasy, revelation in artifice. It is in effect a self-portrait of rock roll." LaVerne also put Hickey in touch with songwriter and manager Mike Corda, who immediately booked session time at New York's National Studio; Bluebirds Over the Mountain quickly caught the attention of Epic Records, who insisted on releasing the demo in its original mix, fearing re-recording might strip the material of its essence.
Epic issued Bluebirds Over the Mountain in January of 1958. Despite the label's enthusiasm, the record reached only number 75 on the Billboard pop charts, and would prove Hickey's biggest commercial hit. A series of Epic releases followed, among them 1958's Lover's Land and 1959's You Threw a Dart and I Can't Love Another, before the label terminated his contract in the wake of 1960's Stardust Brought Me You. Hickey then landed with Kapp, issuing Teardrops at Dawn and Lips of Rose in 1961 before landing with Apollo to release The Millionaire (later covered by Jackie Wilson) the following year. After Apollo went bankrupt, Hickey signed with Laurie long enough to release Some Enchanted Evening, which would prove his last new recording for four years.
Making ends meet as a songwriter, in 1964 he did pen the Serendipity Singers' hit Don't Let the Rain Come Down. The Toot label issued his 1967 comeback single, Blue Skies, with (Play On) Strings of Gitarro appearing a year later. He recorded intermittently in the decades to follow, cutting Oh Lord, Look What They've Done to Your Garden for Black Circle in 1971, Waitin' for Baby for Rameses III in 1975, and Let Me Be Your Radio for Parkway in 1982. Later the subject of Bluebirds Over the Mountain, a typically excellent and comprehensive Bear Family retrospective, Hickey died following bladder removal surgery on July 12, 2004. ~ Jason Ankeny, Rovi