Coming off of those nine shows, the group was booked into the most prestigious clubs in London and started getting great press, but two more singles failed to dent the charts in 1965 and 1966. They jumped from Pye Records to EMI-Columbia in 1966, and continued to get good, highly visible gigs, including a January 1967 appearance with the Who and the Jimi Hendrix Experience at the Savile Theatre (owned by Brian Epstein), and a tour of Switzerland with Hendrix. The group's sound was a lean yet melodic brand of RB-based rock roll, similar to the Beatles, though the Koobas didn't start to blossom as songwriters until fairly late, which may have been part of their problem. They recorded good-sounding and very entertaining songs, but somehow never connected with the right sound at the proper moment. By the middle of 1967, they'd altered their look and their sound, moving away from American-style RB and toward psychedelia. The group members also began writing their own material, sometimes with help in the lyric department from their new manager, Tony Stratton-Smith. Their singles still utilized outside songwriters, however, and the group's best crack at the chart came early in 1968 when they recorded Cat Stevens' The First Cut Is the Deepest, complete with heavy fuzz-tone guitar. Their single garnered some airplay but was eclipsed by P.P. Arnold's Top 20 version of the same song. Despite his best efforts, Stratton-Smith couldn't help the group overcome the failure of their last single. The quality of their gigs and the fees they were earning began declining, and their morale soon followed. By the end of 1968, the Koobas had agreed among themselves to go their separate ways. Ironically, the group's split coincided almost perfectly with Stratton-Smith's final effort on their behalf. Despite the failure of a succession of singles, EMI-Columbia agreed to let the band cut a long-player in late 1968. The group lasted just long enough to finish the album, Koobas, a mix of topical songwriting, psychedelia, RB, and nostalgia that might've found an audience if only there had been a Koobas still together to tour behind it and promote the record in early 1969. Instead, by 1970 the album was already in the cut-out bins. Keith Ellis jumped to Van Der Graaf Generator and then Juicy Lucy (with whom he played on the major U.K. hit Who Do You Love), and later moved to Los Angeles. Stuart Leathwood became part of the duo Gary Stu, with Gary Holton, and was later a member of the group March Hare. The Koobas' early work on Pye is effectively scattered over several CD releases, including Watch Your Step from Sequel Records. In the summer of 2000, Beat Goes On reissued their self-titled EMI-Columbia album with eight bonus tracks drawn from their early singles for the label, thus assembling their complete post-1966 work in one place for the first time. ~ Bruce Eder, Rovi
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Barricades |
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Royston Rose |
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Gypsy Fred |